This feeling – that my history is a vast, dark forest where others might get lost or flee – is a heavy burden to carry. It makes me treat my voice like a secret weapon that I have dismantled for safety, worried that if I reassemble it, the sound would be too loud, too jagged, , or too “much” for the world to hold.
The truth is, we often quiet our voices because, at some point, the world or the people in it taught us that our complexity was a “complication.”
I have swallowed my history like stones, one for every year, one for every scar, until my throat is a dry well and I’ve forgotten where the bucket and the rope are. I ask: Where is my voice? And the silence answers back in my own tone – I have traded my speech for a fortress, thinking it better to be quiet that to be known and then rejected.
There is a phantom fear that my past is a flood, a dark water of “too much” and “too long ago,” that if I opened the floodgates of who I am, the people I love would have nowhere to go but away. I worry my history is a map of dead ends, a collection of flaws too sharp to be touched, that if they see the wreckage behind the curtain, they would realize they didn’t love me that much.
So I keep the volume at a whisper. I prune my edges to fit into their frames. I hide the chapters where the ink is smeared and the characters have no names. I have learned to be a “soft” version of myself, a ghost in the corner of my own life, terrified that the “real” me – the loud, the hurt, the raw – would be a fire that cuts like a knife.
But how can I be loved if I am a shadow? How can I be held if I am made of mist? The flaws I fear will drive them away are the very things that prove I exist. Maybe the voice isn’t lost, just waiting for a silence that feels safe enough to break – for a heart that doesn’t see a “burden” but a soul with a story it’s finally ready to take.